هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Cranford

IN the first place, Cranford is in possession of the Amazons; all
the holders of houses above a certain rent are women. If a married
couple come to settle in the town, somehow the gentleman
disappears; he is either fairly frightened to death by being the
only man in the Cranford evening parties, or he is accounted for by
being with his regiment, his ship, or closely engaged in business
all the week in the great neighbouring commercial town of Drumble,
distant only twenty miles on a railroad. In short, whatever does
become of the gentlemen, they are not at Cranford. What could they
do if they were there? The surgeon has his round of thirty miles,
and sleeps at Cranford; but every man cannot be a surgeon. For
keeping the trim gardens full of choice flowers without a weed to
speck them; for frightening away little boys who look wistfully at
the said flowers through the railings; for rushing out at the geese
that occasionally venture in to the gardens if the gates are left
open; for deciding all questions of literature and politics without
troubling themselves with unnecessary reasons or arguments; for
obtaining clear and correct knowledge of everybody's affairs in the
parish; for keeping their neat maid-servants in admirable order;
for kindness (somewhat dictatorial) to the poor, and real tender
good offices to each other whenever they are in distress, the
ladies of Cranford are quite sufficient. 
 

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